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(1)Encourage communities to create arts districts featuring art galleries and studios. Often cities with art districts used selective zoning to create, preserve art districts and to provide cultural, environmental, and economic advantage to the community. Old outdated zoning may only hinder the development of arts districts, but also undermine urban infill. This type of zoning can be applied to blighted business districts and residential areas that location would be useful galleries. Separate requirements could be established for needs of an art gallery. A result of this could be affordable spaces for galleries not in competition with larger and richer commercial establishments.
(2)Allocate money for galleries and studios to low income artists. When possible low or 0% interest loans could help the people buy and /or set up the gallery. Property could be bought and resold by the state to visual artists based on merit and economic need. This assistance would encourage a community to use selective zoning to create an art district.
(3)Create an arts magazine for artists of merit & economic need printed 2 to 4 times a year. A website organized by state open to all professional artists, directing them to locations that sell their art is another way to promote artists .http://www.godeyscollectorsguide.com |
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Sign a petition |
to require the NEA to use economic need as one consideration when giving out individual art grants. |
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New Deal created Federal programs in the '30s based on concern for a labor market: including professional artists, and others engaged in cultural work. The concern for professional artists' employment dovetailed with the New Deal federal programs.
Today: Many Americans, which would include a sizable number of visual artists, live at or below the poverty level. It is important to remember the original role of government arts funding and provide an opportunity for these artists and other artists who live at a low income to work at their craft. In individual grants ecconomic (if available) need should be a qualification in the selection process.
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Established galleries and art venues tend to keep to “safe” established artists. Now more galleries, if they represent new artists, require fees. Using economic need together with merit as two criteria could help further the supply of new, unique, and exciting visual arts.
With the increasing division of rich and poor created in part by backward conservative government policy and irresponsible conservative government spending, it is important to look at the first major government spending for the arts.
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